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This work, part of the Spiritual Songs series from 1980, belongs to a pictorial language that explores the mystical and evocative dimensions of color and light. The dark, textured background seems to suggest a primordial darkness, a silent void from which a luminous violet-toned fissure emerges. This line of light, vibrant and intense, can be interpreted as a spiritual revelation, an opening between the visible and the invisible, between the finite and the infinite. The use of black, deep and enveloping, is not merely an absence of color but a living entity, charged with tension and mystery. The violet, with its electric shades, creates a powerful contrast, accentuated by the thin golden line crossing the composition—almost like a luminous scar marking the space...(continued in description)
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This detail introduces an element of fragility and transcendence, perhaps evoking the idea of a spiritual wound or a metaphysical passage. The work recalls the tradition of spiritual abstraction found in artists like Mark Rothko or Yves Klein, where color assumes a meditative and introspective function. However, here the visual narrative is more dramatic, almost theatrical, with a strong sense of verticality and tension. In the context of the Spiritual Songs series, this painting seems to translate into images the concept of an inner song, a silent prayer rising from darkness toward light. The minimalist yet deeply evocative composition invites the viewer to a contemplative, almost transcendent experience. Overall, this is a powerful and striking work, capable of conveying a sense of mystery and spiritual quest through a masterful use of light, color, and texture.
by Maria Stone critica d'arte
Acrylic on paper 60x60 cm (the frames are an example of creation)
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