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Metaphor N°227embodies the tension between fragmentation and recomposition, between chaos and structure. The overlapping, broken, and reordered surfaces create a play of precarious balances, where each element seems to struggle to find its place within the composition. Black and purple dominate the scene, giving a sense of depth and mystery, while luminous traces of red and blue cut through the space like fissures, suggesting invisible connections between the parts. Collage becomes a language of layering, where each piece carries the memory of another shape, another time, like a palimpsest of visual experiences.
The geometric elements interact with each other at dissonant angles, creating a sense of restrained movement, a suspended energy.
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Some fragments seem to emerge, others to sink, giving life to a mental landscape in constant flux, where the perception of the whole continuously recomposes and dissolves with each glance. The work is a visual metaphor for the complexity of memory and human experience: nothing is linear, everything is reconstructed through layering, overlaps, and ruptures. Reality is not unitary but the result of fragile connections, of momentary balances between opposing forces.
Metaphor N°227 invites the viewer to lose themselves in the details, to seek a guiding thread among the fragments, accepting that meaning may lie precisely in instability and in the tension between the parts.
Maria Stones, art critic
Acrylic on Fabriano paper on PVC panel 70x70 cm
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